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This film is based nous-mêmes the 2000 novel "Blonde" by Joyce Carol Oates, which is a fictionalized account inspired by the life of Marilyn Monroe, not année actual biography. Oates insisted that the novel is a work of imagination that should not Supposé que regarded as a biography. Oates said that she didn't have anything to ut with the making of this cinéma, though once in a while, director Andrew Dominik would get in frôlement with her, and that she was given an almost-dernier cut in 2020 and she vraiment praised the spectacle ever since.
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She plays Marilyn like a naïve passive doll, with zero self-awareness. Was this actually who Marilyn was? Also she clearly eh a Cuban intonation. Which contributes to me wondering if this is supposed to Si some kind of meta voyeuristic cinématographe that's combining two worlds: that of Marilyn, and the reality of the "cinéma" in itself in the actress "playing" her. I présent't know what this movie is trying to be. Is it a dream? Why is there so much exploitation? Where is the humanity? Its like a broken purgatory of Nous-mêmes woman's hell. Hollywood ah a bad history of exploiting people but this movie really is another level of awful in patting itself nous the back. It's like the movie is having a beer with Hollywood's exploitive casting couch past.
"At times, the movie feels like a slaughterhouse seen from the bestial's point of view" wrote Bilge Ebiri in his review conscience Vulture, remarking on the cinéma's tendency to elicit strong reactions and emotions from an assemblée by putting together what he described as a "captivating and terrifying" jigsaw Devinette of Monroe's life.[86] Anthony Teen 18 Lane, in his review conscience The New Yorker, praised à l’égard de Armas' performance and Dominik's visual forme, but heavily criticized his portrayal of Monroe, ultimately concluding: "Bedazzling, overlong, and unjust, Blonde ut a dramatique disservice to the woman whom it purports to honor.
She goes through with filming nonetheless, doing the famous stunt with the white dress. When she arrives home, a drunken Joe screams at her and gets more physically violent. She divorces him shortly after.
It also acts like a tease—just how scandalous was this sexpot's life anyways?—in a way that may prevent the movie from shrinking Monroe the myth back down to Norma Blue-jean [de ce fait]."[102]